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Part of the pressure is external.
And then there's pressure from the networks.
You open Instagram or Facebook and you immediately feel that everyone else has more work to do than you.
You see an endless stream of perfect photos, great jobs and successful collaborations.
And when you finally decide to add something, an avalanche of critical comments rolls in -- that it's not sharp enough, the light is bad, the angle inappropriate.
Sometimes a couple of such reactions are enough, and the desire to share or create fades.
The joy of creating becomes stress, comparisons and the worry that “I'm not good enough.”
And we add some of the pressure to ourselves. We are often the biggest critics of our work.
You might recognize yourself in some of this:
If so, it's a signal that pressure has taken control.
1. Remind yourself why you're taking pictures.
Go back to the moment you first took the camera in your hand. It was the joy of discovery, not perfection.
2. Establish your own standards.
Do not compare yourself with others, but with yourself a year ago.
3. Ask yourself: who does this photo serve?
If he's a client, do the work for him. If it's a personal project, do it for yourself.
4. Allow yourself imperfection.
Sometimes the most powerful photos are not the technically perfect ones, but the ones that carry emotion.
5. Surround with support.
Share your projects with people who give you honest feedback, not just criticism.
When the period of doubt comes, it helps the most not closing in on yourself.
Family and loved ones can remind you why you're doing all this, even if it doesn't exactly go your way.
And just as important is to have a couple around you photos of friendsthat you can trust.
People with whom you can talk openly about not getting it right, that the client was demanding, or that you have run out of inspiration.
You'll see that they have it too.
Every photographer goes through crises, doubts, loses motivation - there is little talk about it.
By sharing these moments, pressure loses strength.
The best photographers are not the ones with a technically flawless gallery.
They are the ones who can tell a story, draw in the viewer, arouse emotion.
Perfection is often not necessary.
👉 Try asking yourself:
“When was the last time I took pictures purely for pleasure, without expectations? “
If you can't remember, maybe it's time to take a break from perfection and start creating again.
Answer the questions honestly:
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Portfolio is your calling card. It's where the client decides in a matter of seconds if you're the right photographer for him. It's not just a collection of photos, but a clear presentation of who you are, what you do...
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Working with models can be both a pleasure and a challenge. A superbly matched team of models will take your photo shoot a few levels higher. On the contrary, an unreliable or unmotivated model can spoil the whole atmosphere and often the results. So how to approach a photo shoot with people who are supposed to represent the emotions, moods and lifestyle of the brand in front of the lens?
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